{"id":826,"date":"2021-06-10T09:40:11","date_gmt":"2021-06-10T09:40:11","guid":{"rendered":"https:\/\/www.haumanucollective.com\/new\/?p=826"},"modified":"2022-03-14T19:51:15","modified_gmt":"2022-03-14T19:51:15","slug":"joel-komene-reviving-the-voices-of-the-past","status":"publish","type":"post","link":"https:\/\/www.haumanucollective.com\/mao\/joel-komene-reviving-the-voices-of-the-past\/","title":{"rendered":"Jo\u2019el Komene: Reviving the \u2018voices\u2019 of the past"},"content":{"rendered":"
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For Tauranga\u2019s Jo\u2019el Komene, his taonga puoro are a connection to the soul. He has about 25 of the traditional Maori instruments he has made and taught himself to play. Different variations of their use double that number to around 50. While he largely plays for his own enjoyment, you may hear some of his work on Maori radio, at public events, or in the background while watching Maori TV.
Jo\u2019el, with whakapapa to Nga Puhi, Tainui and Tapuika, enjoys contributing to the revival of these ancient instruments and is holding a workshop at the Historic Village on Sunday. Jo\u2019el says the revival began with Maori composer and singer Hirini (Sid) Melbourne in the 1970s. \u201cMost of these instruments were in museums until Hirini and others starting asking questions: \u2018what do they sound like?\u2019, \u2018who played them?\u2019, \u2018when and why?\u2019 My workshops are all about contributing to that revival.\u201d Jo\u2019el says few people have an understanding of the instruments, including many Maori. His own interest in taonga puoro began about 15 years ago when he took a paper on the \u2018Maori world of sound\u2019 while studying at the University of Waikato. \u201cI got to make a few instruments as part of the paper and my interest grew from there. I started making them and the lecturer invited me to some workshops.\u201d He has since gone on to complete a Master\u2019s degree on taonga puoro.
The instruments are all made from natural materials, including stone, clay, bone, shell and wood. Some of the more familiar ones used today include the koauau (flute), putatara (signalling trumpet) and purerehua (spinning discs). \u201cSome people give me the materials because they think they will be useful to me and some of the more rare materials, such as whale bone and albatross bone, are given to me by the Department of Conservation when they become available,\u201d says Jo\u2019el. All of his instruments have their own individual look and sound. \u201cAlthough they might be classified as the same instrument, the dimensions and playing techniques are often slightly.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Jo\u2019el, who is also a carver and a musician, experiments with the sound of the instruments as he crafts them. He describes them as having a \u201cvoice\u201d rather than a sound.\u00a0<\/p>

\u201cThere\u2019s something about them that connects with a person\u2019s spirit. There are a number of myths and legends that tell us about their usage and give us some idea of what we should and shouldn\u2019t be doing.<\/p>

\u201cThese help to ground us, and because they are made of natural materials it\u2019s an organic sound. It connects with the soul.\u201d<\/p>

Jo\u2019els favourite instruments are those played with the nose. \u201cThere is a very spiritual sound that comes out of it, particularly because it is the breath coming from the nose.\u201d<\/p>

He admits that some people find playing an instrument with your nose \u201cquite weird\u201d.<\/p>

\u201cI guess we\u2019re not used to blowing out of our nose unless we\u2019re trying to clear it, but once you get used it, it\u2019s great. It makes an awesome sound.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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For Tauranga\u2019s Jo\u2019el Komene, his taonga puoro are a connection to the soul. He has about 25 of the traditional Maori instruments he has made and taught himself to play.<\/p>","protected":false},"author":1,"featured_media":828,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","footnotes":""},"categories":[5,31],"tags":[],"class_list":["post-826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-latest-news"],"yoast_head":"\nJo\u2019el Komene: Reviving the \u2018voices\u2019 of the past - Haumanu Collective<\/title>\n<meta name=\"description\" content=\"Haumanu Collective Jo\u2019el Komene: Reviving the \u2018voices\u2019 of the past\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.haumanucollective.com\/mao\/joel-komene-reviving-the-voices-of-the-past\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jo\u2019el Komene: Reviving the \u2018voices\u2019 of the past - 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